Gillian McMillan — Rara Avis
23Sep/110

NW Holiday

A week ago Alan and I drove South into Washington and Oregon for a few days to extend Summer a bit. We spent Friday night with our friends Jane and Ken in Portland, Oregon. He has just retired, they have a lively new dog and are now supervising an addition to their old house which is designed to make their home habitable for many years to come.

Next day Al and I spent a few hours in downtown Portland, one of our favourite cities. Most noticeable are the many pieces of public art in this eco-conscious, bike-friendly city. While Al browsed happily in Powell's Books (NOTHING like that huge book shop in Vancouver..) I found the Museum of Contemporary Craft. There has been a Craft Museum in Portland for 75 years so one of the current exhibits celebrates gifts of Fine Crafts donated to or purchased by the Museum since 1937. To quote from their invitation card:

"Founded in 1937 as the Oregon Ceramic Studio and re-named Contemporary Crafts Gallery in 1964, Museum of Contemporary Craft today collects, preserves, documents and creates exhibitions from a collection of over 1,000 objects."

Why is Vancouver unable to sustain a Fine Craft Gallery?

From 1950 - 64 the Museum hosted juried Ceramic Exhibitions and the second floor gallery has a show revisiting those early shows. Titled "Northwest Modern" it features pots, sculptures, photos, invitations, and letters by artists and jurors from that time. If you find yourself in Portland any time before Feb 25, 2012 have a browse through this time capsule of the period. Fascinating.

The third exhibit currently showing there is the work of Nikki McClure. At first I thought these were linocut or woodblock prints but no, they are papercuts. Painstaking, delicate work and judging by the crowds in the gallery obviously popular. There were reproductions in the gift shop and I later recognized her work in shops along the Oregon Coast. I couldn't resist buying a fine, large mug by Wally Schwab whose cheerful functional work, which I found about 30 years ago in a long-closed gallery on South Granville street here in Vancouver, inspired me to see how many colours one can produce in Cone 10 reduction.

In the wide boulevard outside the Museum I found this large bronze sculpture and was amused to read that it is a replica 16 times larger than the original - so it's a teapot!

Later on Saturday we drove South through Eugene and out to the coast to the fishing, holiday town of Florence. We found the first of a number of elegant bridges dating from 1936. Prior to that time travellers along the coast had to take ferries across the rivers or large inlets. The bridge-building was a WPA work project in those Depression years and the bridges are lovely examples of Art Deco design. There are miles of sand dunes just south of this bridge. 

We met our son and his girlfriend in Florence and spent all the next day, Sunday driving them with their two road bikes on the back of our car all the way north to Seaside. Fabulous scenery, varied towns, beaches, surf, birds, food. On the Monday the youngsters started the long bike ride back south to their car, expecting to take 5 or so days, and cycling with large panniers for tent, food, etc. Text messages from them indicate that they're having a marvellous experience. Al and I drove North, leaving Oregon and entering Washington State, over the long Astoria Bridge which crosses the mouth of the Columbia River.

We already knew that the Glass and Art Museums of Tacoma would be closed on a Monday so we drove almost into Seattle and spent a happy evening with friends Gloria and Gary. When they had to go to work on Tuesday morning we leisurely made our way north into downtown Seattle, stopping at Seattle Pottery Supplies. My purchases included a pint of Radiant Red underglaze for my Cardinal jugbirds, stains for my slips, cones and a couple of tools. Next March the shop has plans to offer a shuttle bus from NCECA's conference venue to SPS and will have some work on show.

Our next plan to was spend a couple of hours at the refurbished Seattle Art Museum. Damn! In spite of their website info that Monday is closing day the sign on the door said 'Closed Monday and Tuesday'. Maybe I'll find time to take it in when we're all in Seattle for NCECA.

So we enjoyed Pike Place Market, Indian Art Galleries and more public art on a lovely late September day and headed home after supper, arriving in Port Moody in less than 3 hours.

15Sep/110

New photo box!

Alan has put together a light box for photographing my work. Using plans I brought home from Medalta we adapted the size and shape and now have an affordable and very effective apparatus.

We bought 1" diameter plumbing pipe, Ts and Ls, some foamcore for a light-weight, non-combustible frame for the lights, sheer fabric for a light diffuser

and the most expensive item, a special plastic-coated backing paper. Ordered online from alzodigital.com, it is black at one end gradually becoming white at the other. Attached with peel-and-stick velcro to a cross piece of pipe at the back it curves down to and across the base, forming a horizonless background for the pieces. 

Now, when Al uses a tripod and his digital SLR camera he can have maximum depth-of-field and the photos look really professional. There are no shadows or harsh highlights.

I am posting some photos of what we did. If you are interested in the exact sizes of the pipes, foamcore and fabric, and the prices please let me know. We may purchase better bulbs. At present we have two full-spectrum fluorescent ones so the colour is good but perhaps not bright enough. Aaron Nelson has given me details on what they used at Medalta so we'll probably buy them next.

I hope posting the process will help other potters to make a lightbox of their own. It was time-consuming but very worthwhile. There's nothing like having good photos to get your work out there! Please comment here if this is useful.

12Sep/110

‘Slipstitch’: Jackie Frioud & Judy Robertson

After we'd attended Mary Fox's opening at the Gallery of BC Ceramics we walked over to Circle Craft to see the new show there: "Slipstitch'.

Potter Jackie Frioud and hooked rug artist Judy Robertson have collaborated on the theme of stitching. Jackie's elegant thrown lidded pots are 'held together' with dainty drawn stitches, her angular dishes have the same tiny marks tracing across them.

Judy has painstakingly embroidered words on long strips of fabric and then hooked them into rugs, thus rendering the words unreadable. So there is a mystery to the content of her wall pieces and humour in stitches that do not hold pots closed.

 

Do pop in to Circle Craft and see the work of these two artists until October 4th 2011.

9Sep/110

September in the gallery

I took photos of work all around the Gallery of BC Ceramics while we were there. You can see that there is a tremendous quantity and variety of work available. Gallery manager Sharon Cohen and her staff take good care of our work and do a tremendous job of informing customers and admirers all about the pieces.

I generally take a photo of my current work so that I can decide what pieces to take in next. 

Keith and Celia Rice-Jones, major volunteers in the guild, arrived to see Mary's show.

A new initiative is to have all represented artists submit a recent photo and a short bio. These will be printed in a standard size card for display next to the work of each artist, and can be taken home by customers with their pot. In my photo I'm holding my salt-glazed rooster.

9Sep/110

Mary Fox: Classic Forms Revisited

Last Saturday we took our bikes into Vancouver so that we could cycle all around False Creek after checking out Mary Fox's opening at the Gallery of BC Ceramics. Mary was very busy explaining her work to interested visitors. The show features elegant vases with her distinctive layered and textured glazes as well as smaller bowls with similar organic surfaces. You've done lots of work, Mary! 

Nearby, customers could see Mary's functional line of pots, in several colours.The show continues for all of September so do make a point of seeing this great selection of Mary's work.