Read more about the article Sad days
Bill in Corpus Christi College

Sad days

  I haven't felt inclined to write in my blog lately because it's been a sad time for our family. A while ago it became clear that our older brother Bill wasn't going to survive multiple myeloma, and after a brief final stay in hospital he was moved to a pre-chosen kindly hospice. During his two weeks there his family were welcome and I gather there were…

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Read more about the article Linda Doherty
Linda Doherty's work

Linda Doherty

Our guest at Wednesday's monthly meeting of TriCity Potters was Linda Doherty. We had a full agenda because it was time for our AGM and we had also asked members to bring in their completed flower pot donations. I have known Linda for a great many years and have always admired her gas-fired production work. I was one of the proof-readers when she, Carol Mayer and Deborah…

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Wildrice Studio

Recently Keith and Celia Rice-Jones approached TriCity Potters with an idea for a workshop. They proposed bringing a large selection of their private collection of pots to us with the intention of using them for a discussion of their form, function and process. Our members had been asking for a workshop to jumpstart creative energy for the Fall potting season so together with Port Moody…

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Read more about the article ‘Traditions: Ron Vallis & Martin Peters’
Ron Vallis

‘Traditions: Ron Vallis & Martin Peters’

  Last Thursday I attended the opening of the latest show at the Gallery of BC Ceramics, 'Traditions', featuring the work of two Vancouver artists who share a studio, Ron Vallis and Martin Peters. These artists are traditional studio potters in the Leach tradition, hence the show's title I'm sure. Together they have assembled a pleasing selection of jugs, plates, teapots, vases and lidded jars,…

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Read more about the article Opening the train kiln
Tony's vase in front

Opening the train kiln

  On Wednesday the train gang opened the huge train kiln at Shadbolt Centre. By the time I got there at 1pm all the pots had been arranged on three large ware carts according to whether the work was front, middle or back in the kiln. There was a fine warm colour to all the work and happy faces on the workshop participants.    …

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