For those who read my February 4th blog, I can now show you how the plates painted that day turned out. Philippe Raphanel's two exuberant pieces are rather different from his previous ones. He applied bold colours in a careful pattern and then asked for wax resist as he'd done before. But this time he took a less random approach, with circles of dashes and…
Yesterday I unloaded a full kiln load of painted plates, Alan took photos and I loaded the kiln again, this time with pots for bisque-firing. Some plates didn't get into the earlier firings, my jugbirds weren't finished and Renée brought two more round dinner plates that she'd painted at home. That firing ended this morning so tomorrow will be another glazing day. The finished plates…
One week ago four Raiders were here for the day and, unbelievably, I emptied the kiln this afternoon to see all the finished plates. I had work by Philippe and Mina left from an earlier 'Raid' so I decided to just fill the kiln for the bisque and glaze firings and not make them wait for any of my work to be finished. …
Finally there were enough pots to fill the kiln for a bisque firing, thanks to another day of my studio being 'raided' by Vancouver painters. We had a fun day with Philippe Raphanel, Mina Totino and her first-time-here friend Jan Wade. They each painted several plates, with Philippe astonishing us with a variety of layered colours, experimental wax resist again and a final swoosh of thinned underglaze…
Look at what my son Steve has made for me! A skookum cheese-cutter. When I make slab plates in bisqued forms I need a nice sharp wire to cut off the excess clay at a 45 degree angle. Walter Ostrom showed us how to make plates and platters in this way when he taught the 3-week Summer course at ECIAD back in 1993. I've been…