Mingei

11406716_10155632949380576_5298224013498007415_o When I received this invitation via Facebook from Sam Carter, Emeritus Professor at Emily Carr U I imagined that ‘Mingei’ would feature lots of fine ceramics as well as other ‘folk art’ from Japan.

co-curator Sam Carter
co-curator Sam Carter
Mingei collector Amaury Saint-Gilles
Mingei collector Amaury Saint-Gilles

 

 

 

 

 

 

 

 

 

 

The show ‘Mingei: Japan’s Enduring Folk Arts’ opened on Saturday afternoon at Burnaby’s Nikkei National Museum and Cultural Centre. I had never found this little Japanese enclave of museum, retirement home, community centre and restaurant before. On a desperately hot day I found my way over there and joined a fairly large audience in the elegant air-conditioned centre, passing a group of white-clad lawn bowlers on my way in.

 

We heard introductions from the curators Margo Palmer, Sherri Kajiwara and Sam Carter. Then Sam introduced collector Amaury Saint-Gilles who had collected these and many more Mingei items during the thirty years he lived in Japan. He left in 1990 and now lives in Hawaii but had flown here for the opening of this show.

Hatta ware sake set
Hatta ware sake set
Seed storage jar, palm leaf water scoop & hibachi ash rake
Seed storage jar, palm leaf water scoop & hibachi ash rake

Amaury regaled us with some explanations of the origins of the Mingei genre of craft, explaining that all these originally affordable dolls, toys, pots and decorations were made by generations of craftspeople, and were never signed. They were always considered functional, either for daily use or as symbols of good fortune and were often purchased by travelling men to bring home to their wives.

snow boots
snow boots

 

Many of these craftspeople are now gone, with no descendants to continue their craft – but Amaury suggests that different items have taken their place in the market. Other craftspeople, the master potters who became National Living Treasures for instance, achieved fame and their work is no longer affordable but does remain unsigned. He told us a fine anecdote about travelling to Mashiko to look for bowls by Shoji Hamada, illustrating the original purpose of Hamada pots.

Pot for heating shochu
Pot for heating shochu

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contemporary ceramics in the gift shop

After the brief talk we were invited to enjoy the historic collection. I was surprised not to see any fellow potters in the audience, but was also disappointed not to find many Mingei pots in the show. I took quite a few photos of the items in the display cases and enjoyed the variety and humour of these toys and decorations. It was interesting to note that the Nikkei Cultural Centre’s gift shop offers a similar selection of gifts, but contemporary. P1060208

Kokeshi dolls
Kokeshi dolls & Edo paper dolls
show banners & another collector
show banners & another collector
toys
toys
Monkey figurine
Monkey figurine
Fushina ware dish
Fushina ware dish
Altar bottle with flames
Altar bottle with flames

 

 

 

 

 

 

 

 

 

 

There were sushi treats, fruit and green tea for refreshment and ikebana arrangements as decoration. The show will remain in place until October 11th so if you find yourself in the neighbourhood of Kingsway and Sperling do pop in to enjoy the collection of older Mingei knick-knacks. The beautifully designed building itself is well worth a visit.

 

 

 

 

 

 

 

 

 

 

 

 

 

Ikebana
Ikebana

Gillian McMillan

Gillian writes blogs about ceramics in and around Vancouver and sometimes talks about other Art, her garden, travels and family.

This Post Has One Comment

  1. Christine

    Loved the blog and photos, thanks Gillian! I remember with great fondness and respect the amazing ikebana and traditional Japanese tea ceremony shared with me!

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